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SELECTED WORK

  • Kate Just, Feminist Fan #27 (A portrait of the artist Orlan by Fabrice Lévêque in 1997), 2016, Hand knitted yarn, timber, canvas, 45 x 38 cm
  • Kate Just, Feminist Fan #40 (Julie Rrap, A-R-MOUR Series: Camouflage (Elizabeth), 2000), 2017, Hand knitted yarn, timber, canvas, 45 x 35 cm
  • Kate Just, Feminist Fan #13 (Valie Export, Action Pants, Genital Panic 1969), 2015, Hand knitted yarn, timber, canvas, 51 x 35 cm
  • Kate Just, Paradise, 2006, Wool, acrylic, clay, fibreglass, plastic, metal, glue, 90 x 260 x 300 cm, Ararat Regional Gallery Collection
  • Kate Just, Aadambar Strivadi Quilt, 2016, hand stitched cotton, silk and synthetic fabrics, cardboard, plastic, beads, 145 x 168 cm
  • Kate Just, Feminist Fan #34 (Wendy Redstar and Beatrice Redstar Fletcher’s Apsáalooke Feminist #2, 2016), 2017, Hand knitted yarn, timber, canvas, 45 x 45 cm
  • Kate Just, Feminist Fan in Japan Uniform, 2016, hand stitched and mixed media upon found boilersuit, Lifesize (back)
  • Kate Just, Feminist Fan in Japan Uniform, 2016, hand stitched and mixed media upon found boilersuit, Lifesize (front)
  • Kate Just, HOPE & SAFE, 2014, Banners: Hand knitted builder’s line and retroreflective silver thread, viscose, cotton, aluminium, steel, paint, 280 x 125 x 25 cm
  • Kate Just, HOPE & SAFE, 2014, Banners: Hand knitted builder’s line and retroreflective silver thread, viscose, cotton, aluminium, steel, paint, 280 x 125 x 25 cm
  • Kate Just, HOPE Banner Walk, 2014
  • Kate Just, SAFE Banner Walk, 2014
  • Kate Just, Tickled Pink To Be A Woman in 2023, 2023, hand knitted and hand crocheted wool and acrylic yarns, 170 x 130 cm

 

 

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Hugo Michell Gallery acknowledges the Kaurna people as the traditional custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.