News

Hugo Michell Gallery Opening: Georgia Spain + Kate Mitchell

Please join us for the launch of Georgia Spain’s ‘And suddenly, an iceberg’ and Kate Mitchell’s ‘BIG HAG NRG’ at Hugo Michell Gallery on Thursday 30th October, 6-8pm. 
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GEORGIA SPAIN
And suddenly, an iceberg

‘And suddenly, an iceberg’ explores language, mythologies, grief, time and the slipperiness of memory. About this body of work, Georgia shares: “I felt a deep desire to turn inwards. That desire became the current running through this body of work — a process of mark making, writing, excavating and unearthing, and most importantly allowing the work to reveal itself. It is both story and evidence — a diaristic trace of what it means to feel deeply, to be uncertain, to live in the wake of longing or sorrow…”
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KATE MITCHELL
Big Hag NRG

‘Big Hag NRG’ reclaims the figure of the hag as an older woman who sits beyond the usefulness of patriarchy and is therefore powerful, unruly, and free. The exhibition gathers spell-objects that appear still, yet are charged with action, energy, and presence.

Kate Mitchell, Things Observed In The Space Between Two Full Moons (detail), 2024, giclee print on archival paper, mounted on aluminium panels, 150 x 126 cm, edition 1/2 + 1 AP. Kate Mitchell is represented by Chalk Horse Art Gallery.
Kate Mitchell, Things Observed In The Space Between Two Full Moons (detail), 2024, giclee print on archival paper, mounted on aluminium panels, 150 x 126 cm, edition 1/2 + 1 AP. Kate Mitchell is represented by Chalk Horse Art Gallery.

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Hugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.

Hugo Michell Gallery acknowledges the Kaurna people as the traditional custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.

Pictured Above: Georgia Spain, The Echo, 35.5 x 41cm

Richard Lewer to present major solo exhibition at Geelong Gallery

We’re excited to share that Richard Lewer will be presenting a major solo exhibition ‘I Only Talk to God When I Want Something’ at Geelong Gallery in November 2025. 

‘I Only Talk to God When I Want Something’ brings together key series that reflect Lewer’s lived experience of Catholicism and the rituals and moral framework that underpin it. From Confessions (2024) comprising 106 painted panels created through a participatory project whereby Lewer heard and then painted the personal confessions of gallery visitors, and Seven Deadly Sins (2023) interpreting the age-old sins of sloth, wrath, greed, envy, gluttony, pride, and lust through iconic art historical images (by artists such as Francisco Goya, Edouard Manet, Jan van Eyck, and John Brack), to Stations of the Cross (2007-08) recording the fourteen stages of Jesus’s crucifixion, the exhibition reveals Lewer’s connection to and interpretation of the faith system under which he was raised. 

Extending on the exhibition’s themes, a new series of paintings commissioned by Geelong Gallery and inspired by the Last Judgement will be premiered. As Geelong Gallery Director & CEO Humphrey Clegg says ‘Richard Lewer is one of Australia’s most loved and significant contemporary artists. His ability to examine, reflect upon, and represent our shared experience of the contemporary world around us through his artwork makes him an artist that everybody should know.’⁠

Richard Lewer’s ‘I Only Talk to God When I Want Something’ will be presented from 15 November 2025 to 1 March 2026 at Geelong Gallery.

Pictured (above): Richard Lewer, Envy (After Edouard Manet), 2023, acrylic on brass, 100 x 100 cm. Photo by Christian Cappuro

Artist Talks | Binygurr Wirrpanda | Josina Pumani

Hugo Michell Gallery invites you to join us for our artist talks in celebration of the current Tarnanthi Festival exhibitions. Artist talks to be held on Saturday 18th October 1-3pm.

Hear from Binygurr Wirrpanda on behalf of the ‘Wäŋa as Muse’ artists. David Wickens to facilitate. Please also join us to hear Josina Pumani speak about her solo exhibition 'Maralinga – Ngayuku Walytjaku Tjukurpa (My Family’s Story)'. Sandra Pumani to facilitate.
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‘Wäŋa as Muse’ brings together five Yolŋu artists from The Buku-Larrŋgay Mulka Art Centre; Manini Gumana, Napunda Marawili, Marrnyula Munuŋgurr, Binygurr Wirrpanda and Gutiŋarra Yunupiŋu. This exhibition features the innovative works of a group of artists who have each developed a unique way of depicting the identity of the land which inspires them.
Works presented are a living testament to the Yolŋu people’s enduring relationship with their spiritual and physical birthplace and an invitation to see the land not as a passive object, but as a sentient, living, active, sacred force.
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Josina Pumani’s ceramic vessels and paintings tell the story of the Maralinga bomb testing undertaken in the 1950-60s. Pumani explores this lasting physical and mental impact on Country and Aṉangu people, using vibrant colour and patterned spiralling cylindrical forms. Currently working out of the APY Art Centre Collective, Pumani was born in Mimili.
These exhibitions are presented as part of the Art Gallery of South Australia's 2025 Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Island Art.
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Hugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.

Hugo Michell Gallery Opening: Wäŋa as Muse | Maralinga – Ngayuku Walytjaku Tjukurpa (My Family’s Story)

Please join us for the launch of 'Wäŋa as Muse’ by Manini Gumana, Napunda Marawili, Marrnyula Munuŋgurr, Binygurr Wirrpanda, Gutiŋarra Yunupiŋu and for a solo presentation by Josina Pumani, titled 'Maralinga – Ngayuku Walytjaku Tjukurpa (My Family’s Story)' on Thursday 25th September 6-8pm.

MANINI GUMANA, NAPUNDA MARAWILI, MARRNYULA MUNUŊGURR, BINYGURR WIRRPANDA, GUTIŊARRA YUNUPIŊU
Wäŋa as Muse

Wäŋa as Muse brings together five Yolŋu artists from The Buku-Larrŋgay Mulka Art Centre; Manini Gumana, Napunda Marawili, Marrnyula Munuŋgurr, Binygurr Wirrpanda and Gutiŋarra Yunupiŋu. This exhibition features the innovative works of a group of artists who have each developed a unique way of depicting the identity of the land which inspires them.
Works presented are a living testament to the Yolŋu people’s enduring relationship with their spiritual and physical birthplace and an invitation to see the land not as a passive object, but as a sentient, living, active, sacred force.
JOSINA PUMANI
Maralinga | Ngayuku Walytjaku Tjukurpa (My Family’s Story)

Josina Pumani’s ceramic vessels and paintings tell the story of the Maralinga bomb testing undertaken in the 1950-60s. Pumani explores this lasting physical and mental impact on Country and Aṉangu people, using vibrant colour and patterned spiralling cylindrical forms. Currently working out of the APY Art Centre Collective, Pumani was born in Mimili.
These exhibitions are presented as part of the Art Gallery of South Australia's 2025 Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Island Art.
Hugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.
Hugo Michell Gallery acknowledges the Kaurna people as the traditional custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.

SYDNEY CONTEMPORARY ART FAIR

We are thrilled to be participating in Sydney Contemporary Art Fair, presented at Carriageworks from 11-14 September 2025!
Hugo Michell Gallery brings four distinct Australian voices together at Sydney Contemporary, with new works by Richard Lewer, William Mackinnon, Georgia Spain, and Garawan Wanambi. Their practice spans memory, identity, and landscape, each offering a unique lens on the world.
Lewer’s series on Jesus’ miracles explores faith through layered acrylics. Mackinnon presents large, psychological landscapes that blend memory and symbolism. Spain debuts emotive abstract paintings inspired by ritual and spectacle, while Wanambi showcases ancestral larrakitj poles and bark paintings that honour sea Country.
The works are personal, political, and spiritual, forming a compelling and layered presentation.
Preview requests to mail@hugomichellgallery.com
Richard Lewer in the studio with 'The Miracles', 2025, photography by Christian Cappuro
William Mackinnon, Going under/ autumn, 2025, acrylic, oil and automotive enamel on linen, 200 x 150 cm
Georgia Spain in the studio with new work for Sydney Contemporary Art Fair, photography by Oscar Lush
 
Garawan Wanambi, Marraŋu (1484 25), 2025, natural pigment with synthetic polymer fixative on Stringybark hollow pole, 204.5 x 25 cm

Sam Gold and Paul Yore announced as FINALISTS in the 2025 Fisher's Ghost Art Award

We excited to share that Sam Gold and Paul Yore are both finalists in the Fisher’s Ghost Art Award, presented by Campbelltown Arts Centre.

The Fisher’s Ghost Art Award is an annual art award and exhibition inviting artists to submit works in a variety of artistic categories and mediums. Now in its 63rd year, there is over $60,000 in prize money to be won across the categories. In 2025, the celebrated Open Award, which is acquisitive to the Campbelltown City Council Art Collection, is valued at $50,000.

An exhibition of the finalist works will be on display from 27 September until 21 November 2025 at Campbelltown Arts Centre.

Pictured: Sam Gold, The marrow in the tide, slowly spills into the mouth of love, 2024, porcelain and glaze, 185 x 170 x 18 cm variable, photo by Connor Patterson; Paul Yore, Sydney Opera House (Feeling Is The Truth), 2025, mixed media assemblage on board comprising plastic, glass, fabric, trim, cotton thread, LED light, wood, synthetic polymer, adhesive, and fixtures, 110 x 186 x 13 cm, photography by Sam Roberts

Hugo Michell Gallery Opening: Clara Adolphs + Drew Spangenberg

Please join us for the launch of Clara Adolphs’ ‘Sleep Shadows’ and Drew Spangenberg’s ‘Containers’ on Thursday 21st August, 6-8pm.

CLARA ADOLPHS
Sleep Shadows

In this new body of work, Clara Adolphs turns inward, exploring the quiet threshold between memory and imagination. “I often see myself in the people that I paint, or find something familiar about them,” she explains. “I wanted to draw into this focus with the show.”

Working from photographs both found and taken, Adolphs isolates figures from their original contexts and places them in new, intimate compositions that speak to a silent conversation between artist and subject. “Perhaps the repetition of painting brings me closer to them?” Melding borrowed memories with her own, she has been led by a desire to distil moments into feeling, creating a sense of quiet contemplation.

DREW SPANGENBERG
Containers

‘Containers’ celebrates the vessel primarily as an object of aesthetic value rather than function. While rooted in utility, these forms have a visual focus, elevated beyond their practical origins. Each piece retains its capacity to function as a container honouring the history of the vessel while embracing contemporary reinterpretation.

Spangenberg is a contemporary glass artist based in Adelaide, South Australia. His work combines traditional glassblowing techniques with a refined contemporary aesthetic, defined by clean lines, harmonious forms, and a considered approach to colour and composition.

This project has been supported by Create SA.
Clara Adolphs, Moonrise, 2025, oil on linenHugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.

These exhibitions are presented as part of every*where, Adelaide Design Week 2025.

Hugo Michell Gallery acknowledges the Kaurna people as the traditional custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.

Paul Yore announced as FINALIST in Deakin University Contemporary Small Sculpture Award

We're delighted to share that Paul Yore is a finalist in the Deakin University Contemporary Small Sculpture Award for 2025, congratulations Paul!

The Deakin University Contemporary Small Sculpture Award, established in 2009, is organised by the Art Collection and Galleries Unit at Deakin University, Victoria. The award celebrates contemporary sculptures from artists around Australia, culminating in an exhibition of finalists' work held in August to October each year at the Deakin University Art Gallery.

The finalist exhibition will be presented from 27 August to 10 October 2025 at the Deakin University Art Gallery, Melbourne Burwood Campus.

Paul Yore's 'SOUVENIR' at Hugo Michell Gallery, 2025.


Pictured: Paul Yore, Vegemite Jar (installation view), 2025, acrylic yarn needlepoint, cotton thread, and board, 18.5 x 15 x 15 cm, ed. of 5 + AP. Photography by Sam Roberts

Fiona McMonagle announced as FINALIST in The Lester Prize

Congratulations to Fiona McMonagle, who has been announced as a finalist in The Lester Prize for 2025 with her painting ‘Eve #2’!

About this series, Fiona shares: “In patriarchal systems, women unconsciously absorb and enforce sexist beliefs, creating divisions and perpetuating cycles of blame and shame. Disappointingly, such judgment often comes from within the community of women, fuelled by internalised misogyny.

This body of work, Eve, explores these dynamics, depicting women’s faces boldly and unapologetically, inspired by the confrontational format of mugshots. These raw portraits, painted with fluid acrylics on raw canvas, reflect society’s tendency to label and shame women. The work challenges viewers to confront their biases and complicity in this culture of judgment.”

The exhibition will be on display from 19 September - 16 November 2025 at the Western Australian Museum, Boola Bardip.

Pictured: Fiona McMonagle's 'Eve' at Hugo Michell Gallery, 2025. Photography by Tobias Titz

Hugo Michell Gallery Opening: Zaachariaha Fielding + Daniel Emma

Please join us for the launch of Zaachariaha Fielding’s ‘Ngangkali (Night Sky)’ and Daniel Emma’s ‘World Expo 2025’ on Thursday 24th July from 6-8pm, presented as part of the 2025 South Australian Living Artists Festival.
Zaachariaha Fielding
Ngangkali (Night Sky)

Zaachariaha Fielding's solo exhibition ‘Ngangkali (Night Sky)’ continues his exploration of ancestral narratives and songlines. His paintings pay homage to his inherited Tjukurpa (ancestral knowledge and law) through a vivid palette and expressive use of Pitjantjatjara language.

Fielding is a multidisciplinary artist, originally from the Mimili Community in the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia, currently working out of the APY Collective Art Centre. Widely recognised as the frontman of the electronic musical duo ‘Electric Fields’, his visual arts practice has gained momentum in recent years, having exhibited at prominent Australian institutions such as the National Gallery of Victoria, Art Gallery of New South Wales, and Art Gallery of South Australia, in additional to international presentations.

DANIEL EMMA
World Expo 2025

‘World Expo 2025’ captures the unique moments intertwined with exploring new places and the experiences shared, resulting in a still life scene of furniture and objects embodying magic memories.
Daniel To and Emma Aiston established the design studio Daniel Emma in 2008 as a platform to express their ideas through Industrial Design. The studio engages in a wide range of projects, from desk objects to large-scale installations. With a focus on creating the unexpected from simple objects and forms, Daniel Emma draws inspiration from the rich and diverse culture of Australia. Their designs aim to be “just nice,” blending subtlety with originality.
Hugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.
Please join us in celebrating the launch of these two exhibitions!
Hugo Michell Gallery acknowledges the Kaurna people as the traditional custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.