Kate Ballis
Please join us for the launch of Marisa Purcell’s ‘Light Savour’ and Kate Ballis’ ‘Liminality Antipodes’ on Thursday 27th June from 6-8pm.
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Marisa Purcell
Light Savour
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Marisa Purcell
Light Savour
"After a drive back to the city from the bush at dawn, Marisa Purcell, mesmerised by the early morning light and its ability to shapeshift a landscape, drove straight to the studio and started work. With a lush palette of greens, she recreated the moment she had seen through the windscreen — night passing the baton to day, light carried on the fog and splintering through the trees. Purcell has long been interested in windows and frames — both what we see through a window and what we don't see.
To the edges of her paintings are clues to what lies within, a cipher to decode the ceaselessly captivating ambiguity of light and colour. One painting calls to mind the experience of flash blindness; the moment when harsh light floods the retina, causing both an explosion of colour and a temporary loss of vision. Another is like a fragment of Monet’s Water Lilies writ large “Everyone will see a different colour,” she says, on the erraticism of light, perception and colour. “Like a lamp in front of a mirror, these works reflect their own source of light.” – Ariela Bard, exhibition catalogue essay
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Kate Ballis
Liminality Antipodes
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Kate Ballis
Liminality Antipodes
In the liminal spaces where the ethereal touches the terrestrial, my infrared exploration of the South Island of New Zealand captures a world both familiar and otherworldly. As alizarin crimson mountains rise and teal waters mirror the rich deposits of pounamu (greenstone), these surreal landscapes bridge the realms of reality and myth.
About this exhibition, writer Dylin Hardcastle writes: “To find a home in Liminality, in the threshold of a horizon, between deep sky and wide lake, where the near and far feel not so far apart, is to surrender, voluptuously, to something felt. It is an ability to sit between regions - opaque and edged - and to feel, instead, the incredible release of shapelessness.”
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Hugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.
Hugo Michell Gallery are proud to partner with Bird in Hand Winery for this opening event.
Please join us in celebrating the launch of these two exhibitions!
Hugo Michell Gallery acknowledges the Kaurna people as the traditional
custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.
Hugo Michell Gallery invites you to the opening of ‘Going Home’ a group exhibition featuring works from Kate Ballis, Paul Davies, Eliza Gosse, Katherine Hattam, Elvis Richardson and Noel McKenna.
‘Stay home. Work from home. Isolate at home. Over the past 18 months, our homes have assumed greater importance than ever before, not only as a space in which to play, rest and (at times) work, but also as a place of safety and security amid the unpredictability of a global pandemic.
Artists have spent extended periods at home lately, too, an experience which has led some to cast a fresh eye on the domestic sphere. Others have been making work in this vein for longer, yet in the context of recent events, their paintings, photographs and sculpture are especially pertinent.’ – Tony Magnusson
Please join us in celebrating the launch of this exhibition!
Exhibition Opening Thursday 24 June 6-8pm
Exhibition runs from: 24 June – 24 July
Exhibition runs from: 24 June – 24 July
Paul Davies courtesy of Sophie Gannon Gallery, Noel McKenna courtesy of GAGPROJECTS.
Hugo Michell Gallery acknowledges the Kaurna people as the traditional custodians of the Adelaide region, and that their cultural and heritage beliefs are still as important to the living Kaurna people today.